After five+ years, Spike is pretty much "yeah, whatever" about the window. Of course, he's pretty much "yeah, whatever" about most things.
For Gren, what's going on out there is music on the level of a cosmic symphony. In that way, it's comforting instead of alarming.
Vincent is so used to being manipulated by forces beyond his control that he can only shrug and wait for whatever it will do.
HELLO, Reno likes explosions. He thinks they're pretty.
Howl knows there are worlds and worlds, so for him it's something of a manifestation of all kinds of magic rolled into one and it fascinates him for that alone.
And the Marquis de Carabas is still trying to figure out how he can personally profit from it. I have such faith he'll be successful, too.
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For Gren, what's going on out there is music on the level of a cosmic symphony. In that way, it's comforting instead of alarming.
Vincent is so used to being manipulated by forces beyond his control that he can only shrug and wait for whatever it will do.
HELLO, Reno likes explosions. He thinks they're pretty.
Howl knows there are worlds and worlds, so for him it's something of a manifestation of all kinds of magic rolled into one and it fascinates him for that alone.
And the Marquis de Carabas is still trying to figure out how he can personally profit from it. I have such faith he'll be successful, too.