Elle knows what it is and just does not care. Occasionally it's something to look at. That's it.

For some reason, both Caprica and Sharon seem too self-obsessed and tied up in their on existential crises to give it that much thought, either. I think it may be that - well, there are all kinds in the Bar, but it's still mostly humans. Neither has encountered any A.I. that isn't built by and for humans, and even those that aren't just aren't really like Cylons. So the whole place is kind of inherently alienating, and the window is just kind of another part of that. Unlike Elle, they have some respect for its magnitude, and I think Sharon at least would generally position herself away from it, but there's still something markedly distant about it.

And Emerson pretends it's a very large television. The end.