Steph Mu Ji (
muji) wrote in
ways_back_room2011-01-31 07:02 am
Entry tags:
Daily Entertainment.
Hello all!
Does anyone here like old movies? No, I don't mean from the nineties. I mean like "Johnny-Weissmueller-was-my-first-celebrity-crush" old movies. Which ones do you like/not like? Why?
Or just hate/love on It's a Wonderful Life. Either/or.
Does anyone here like old movies? No, I don't mean from the nineties. I mean like "Johnny-Weissmueller-was-my-first-celebrity-crush" old movies. Which ones do you like/not like? Why?
Or just hate/love on It's a Wonderful Life. Either/or.

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And Errol Flynn was my first celebrity crush. >> I mean. Uh.
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Where to begin? Casablanca. Possibly the greatest example of a Hollywood film ever made. The greatest movie ever? No, it's a product of its time, and it's very much a capsule of pure Hollywood hokum with only the slightest resemblance to the real world. But it's such a wonderful film nonetheless, with that amazing cast, with Bogey at his best, with Ingrid Bergman as radiant as ever. (And I cast my vote for her as the most beautiful actress ever.) I can watch this film over and over. It never grows old. It never stops being witty. Or fun. Or moving. Or stirring.
Other favorites include Bridge on the River Kwai, The Philadelphia Story, Harvey, High Noon, and Bad Day at Black Rock. I am sure there are a lot of others I am forgetting. I used to watch old films a lot growing up, and my mother still watches Turner Classic Movies more than most other channels. (She prefers the original True Grit to the new one.)
I can't think of any I hate, though I feel that The Thin Man and The African Queen are overrated. As for It's a Wonderful Life, people don't give it enough credit for playing around with alternate timelines, but it's really quite hokey.
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It's a Wonderful Life: Love.
Edited to change icons, 'cause why not.
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And Leslie Howard is my Pimpernel. Hands down.
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(The Geico commercials? Tell me that guy isn't Fred MacMurray.)
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I love John Wayne, for reasons I do not understand. Certainly not his acting caliber.
(sorry, America)
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For great awesomeness, yo.
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Singin' in the Rain, Gone With the Wind, Citizen Kane, and Casablanca, for sure are classics for a reason.
And I also still pretty much worship Audrey Hepburn and pretty much all her films.
And I love the Laurence Olivier takes on Shakespeare. And Hitchcock's stuff.
And on top of old movies, I love foreign old movies. Like Truffaut's Jules et Jim, and Antoine et Colette, and Fellini's 8 1/2.
I also really like It's a Wonderful Life.
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That said, Welles was a genius even when he failed. He had amazing charisma, amazing vision, and amazing nerve. But I prefer him in his Shakespeare films and the times he was being himself on film (F is for Fake).
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ETA: --No wait, Help! might edge it out by a couple years. I adore that movie; it's so unashamedly ridiculous.
Also, the original The Day The Earth Stood Still. IT WAS NOT BROKEN. And I highly doubt Keanu Reeves fixed it.
A couple others: Vertigo for great psychological thriller, and Bell, Book and Candle because lead characters never have my name BUT IN THAT ONE SHE DOES. \o/
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I love Forum and the only real Producers is the original Producers. <<
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I like the Sound of Music, that's pretty old. And the old St Trinian's films.
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My first class was canceled, I'm so glad since I feel so wobbly today.
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Singin' in the Rain, The Great Race, The Court Jester, White Christmas, The Gay Divorcee, Beach Blanket Bingo (Shameful, but true)... I like the musicals.
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And though more modern, I have a soft spot for movies on VHS since I own a working VCR. A sizeable portion of those being anime. Non-anime fare includes Good Morning Vietnam, A Night at the Roxbury, both Wayne's World movies, South Park: Bigger, Longer, and Uncut, and Chicken Run.
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Also, anything with Grace Kelly, because she was perfection on the screen, so Rear Window is basically my answer to everything, I guess.
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Metropolis is my favorite, but I love movies of the '40s and '50s, of just about any genre--musicals, comedies, dramas, war movies, westerns, anything. And of course The Sting, Butch Cassidy and the Sundance Kid and the work of Montgomery Clift, among others.