Raymond Stantz (
gone_byebye) wrote in
ways_back_room2013-10-03 09:55 am
Entry tags:
Emergency substitute DE
What is one thing about your character/your character's world that they wish they could get other people to understand, or that they know in their guts that other people won't understand even if they try?

no subject
ETA: Wow, I really shouldn't answer the DE before I'm fully awake.
Alex would like people to know, before she finished her canon of course, that no, the television really does talk to her, as do random street people, and the odd newspaper headline. And there are people walking around, who she only knows about from the files of a patient who committed suicide. And 80's fashion really is as atrocious as it was made out to be. And she'd never wear that much mascara if it wasn't expected. Also, white leather jackets or red stiletto heels. Really, she wouldn't.
Then there was the ceiling coming off. That's the one that would be really hard to explain.
John Silver knows that unless you've been at sea, in any timeline, it's something you won't understand. And not just a pleasure cruise round the harbor, but out of sight of dry land for weeks at a time. Subject to the winds and currents, working your fingers to the bone, waiting for the payoff. Being alone on watch, at night, watching the wake behind the ship ripple with an eerie blue light, or watching the same light, only in the form of a blue flame, dancing around the mast. It's something you can't explain to someone who hasn't lived through it.
Earl refuses to answer this question, on the grounds that it would violate his "contract". Whatever that means.
Sherlock wishes he could people to understand that his mind is working all the time. Even when he's asleep. It never slows down, save by force of chemical intervention, and sometimes, not even then. He'd also like people to understand that his brother really is the British Government. No one ever seems to believe him on that point.
no subject
Katya: How 'magic' is done in her world, and why she gets so almighty frustrated when people compromise their own safety in such a blase fashion.
Clara: The Doctor, pretty much. That odd sort of magnetism/power-of-voice thing he has going so it sounds a bit less mad that she's travelling with him.
Balthazar: Isn't explaining anything.
Haymitch: .... Really wishes people would not talk about overthrowing the system. Yes, that'd be great, but so many people, innocent people he's done a fairly good job of protecting so far, are going to die if that happens.
Glorfindel: ...... isn't explaining anything either.
Bones: Injuries should be healed, damnit. This isn't a hard concept.
William: Is too new to need to explain anything. Though maybe he will after he gets a bit through canon.
no subject
*eyes Bones*
Nynaeve and Bones should totally talk.
no subject
no subject
All I can think of is Andrea; how magic and technology fluctuate in her world. Hell people who live there don't understand it. There is also her personal demon of being the daughter of a were-hyena and a hyena-were, but that's more her world's prejudice than Milliways.
no subject
no subject
Gender roles. All her what.
no subject
Joshua: Artifacts aren't magic. And he was an uncaring asshole that one time.
Helena: To be completely honest, I have no idea. Thoughts, anyone?
Fantine: She doesn't blame anyone for what happened. Other than perhaps the Thenardiers for being asshats.
Valentine: Peter is a manipulative asshole and she has to do everything she can to make sure he doesn't take over everything.
(... I must be tired. I'm talking about assholes a lot.)
no subject
Korra:The animals. Horses are WEIRD, guys. Don't you understand that?
Dinah: Masked heroics. It makes sense when you've grown up with it.
Renee: The Batsignal. What it means when it's shining in the sky and what it does to a Gothamite to see it.
Dick: No, he can't stay still. Stop asking him.
Robin: Bruce. Except he doesn't want anyone to understand Bruce better than he does.
Teresa doesn't care whether you understand or not, say sorry.
Will: is perfectly okay with people not understanding him. But he would like to understand everyone else a bit better. YOU PEOPLE ARE WEIRD.
Marguerite: would like people to be a bit more understanding about the rigid gender/societal roles in her society. It's been a while since someone said/implied "why don't you just do whatever you want?" But it still stings.
Mac doesn't want you to understand him. If you understand him, you can manipulate him.
no subject
Ellen agrees with her one hundred per cent on that.
Not that her cows are any less weird, but good Lord, horses. What. Just what.
(ETA: speaking of cows, Ellen has an EP if you wanted to make contact with her. And if you had the availability, obviously.)
no subject
no subject
Really?
Oh.
no subject
That's just the way it is.
(Try and explain how Batman is scary when all you have are words and a vocabulary that gets filtered through a magic translator. No, go one we'll wait. 'So he's a grown man who dresses up like flying mammal...)
no subject
Dick's explanation: "You don't get it. It's him, he's awesome."
Dinah's: "It's not the animal. It's the cape. It masks his movements, makes him hard to follow. He could be dressed as a peacock and if he had a dark-coloured cape he'd have the same effect."
Renee's: "Yeah yeah. You wait 'til he busts in on your crimescene and see how hilarious you find him then."
no subject
Milliways just doesn't have a lot of the right context, that's all.
no subject
no subject
no subject
Alfred insists on saying this: Yeah, it means I'll probably have a certain someone to patch up in the morning.
no subject
Javert would like people to understand that - well, OK, he's not really normal even by the standards of his own time. But his time is different, and he's unsure why he keeps getting treated like he would in modern times. People telling him it's OK to talk about things, for example - well no, for him, it's not. Yet he gets treated like he's odd, or an anomaly, when he can't/won't. He'd like to see how anyone from the modern world would manage in his time, with all their weird talking, and whatnot.
no subject
no subject
no subject
2. Marguerite and Javert, please? FRENCH PARTY.
no subject
2. HELL TO THE YES. :D :D :D
no subject
no subject
Of course, he might have already met 80s!Gene, but I can't remember for the life of me. :\
no subject
no subject
"Yes, the story must be controlling this town. But we cannot realize that fact. No matter what strange things happen... We are made to believe that things have always been this way. I'm the only one that can solve this mystery! So I'm also the one with the qualifications to change this world!"
Oh, kid.
no subject
no subject
Charles wants people to know that it would be bizarre to him to not hear any thoughts at all, the thought of it scares him. Please stop asking him if he can just turn off who and what he is.
For Sameth, the Charter and how it is a part of the Old Kingdom, he always feels like he's explaining it badly as well as his duties.
William, he can't just go to school or pursue whatever he might want to, his job is to take care of his mother and brother. Stop acting like he can change his world that much.
Jane would like everyone to know that she is trying to create change, but its not easy and she can only do so much within society.
Demeter isn't mortal, her sense of the world and her morals aren't going to go how people expect and she's not going to change them.
Moist would like people to get that the Disc is weird, he has reasons for being worried by the things he is. Why is the fear of being eaten that hard to understand?
Tumnus doesn't know how to explain properly that humans are weird, they just are.
The Pirate King and how music exists in his world, its exists there.
no subject
Now pardon me, I have to go track some werewolves through a grimy, dark alley to the abandoned mine on the wrong side of the tracks.
no subject
Also, trees screen a lot of things from view. Trufaxs.
no subject
Tim: The Phantom Menace sucks. If you don't believe that, you cannot be his friend.
Nicholas: That law enforcement officers, no matter their department or discipline, have got to be honest and just. This is something that he's going to be even more insistent about now that he's post-canon. First, he was just proving it to himself, as a way of coping with his corrupt uncle. Now, he feels like he has to prove it to the whole goddamn country. That sad part is, he's kinda right.
Travis: On the other hand, he'd like people to understand that Nicholas really isn't as annoying and horrible as he comes off. Well, he is some of the time, but not all of the time.
Gary: (SPOILERS) Right now, he doesn't really have anything he feels he'd need to prove. Not on a large scale. Once he gets through canon, though, he's going to want people to know that Blanks are not actually the bad guys. They were just as abandoned in this mess as the humans were, and without the Network telling them what to do, they're pretty much ordinary people. Who can come apart.
Loki: Magic is real, and every race uses it. Even the humans, who had been non-magical for centuries. On Asgard, they call it seiðr. On Midgard, they call it electricity and radio. Then there are the mutants (which he thinks is an insulting term, but whatever. No-one asked him), some of whom do use seiðr, and even Álfar and Jötunn magic, which is just weird.
He'd also like people to know that the Eddas are really, really not meant to be taken at face value. Like any other source of scripture, it was written by a man who had no idea what he was talking about. The fact that the Eddas got anything right at all is amazing, really.
no subject
no subject
no subject
no subject
no subject
There are other things, but Mark's not quite at the point where he understands them himself, so he really can't explain them to someone else.
no subject